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And most significantly for tonight, Mr. Teachout is the author of the acclaimed new biography of the Father of Jazz: Pops: A Life of Louis Armstrong.
He blogs at About Last Night along with Chicago-based critic Laura Demanski (who writes under the name "Our Girl in Chicago"), contributes a weekly book-review column and a monthly videoblog to Contentions, the Commentary blog, and has written about the arts for many other magazines and newspapers, including the New York Times and National Review.
Teachout grew up in Sikeston, Missouri. He attended St. John's College in Annapolis, Maryland; William Jewell College in Liberty, Missouri, where he received his B.S. in music journalism; and the University of Illinois at Urbana-Champaign. He lived in Kansas City from 1975 to 1983, working as a jazz bassist and a music critic for the Kansas City Star. He moved to New York City in 1985, working as an editor at Harper's Magazine (1985-87) and an editorial writer for the New York Daily News (1987-93) and as the News' classical music and dance critic (1993-2000). In 2004 he was appointed by President Bush to the National Council on the Arts, the advisory and review panel of the National Endowment for the Arts.
Teachout is the author of All in the Dances: A Brief Life of George Balanchine (2004, Harcourt), A Terry Teachout Reader (2004, Yale University Press), The Skeptic: A Life of H.L. Mencken (2002, HarperCollins), and City Limits: Memories of a Small-Town Boy (1991, Poseidon Press).
He is the editor of Beyond the Boom: New Voices on American Life, Culture, and Politics (1990, Poseidon, introduction by Tom Wolfe) and Ghosts on the Roof: Selected Journalism of Whittaker Chambers, 1931-1959 (1989, Regnery Gateway). In 1992 he rediscovered the manuscript of A Second Mencken Chrestomathy among H.L. Mencken's private papers and edited it for publication by Alfred A. Knopf (1995). He wrote the forewords to Paul Taylor's Private Domain: An Autobiography (1999, University of Pittsburgh Press), Elaine Dundy's The Dud Avocado (2007, New York Review Books), and William Bailey's William Bailey on Canvas (2007, Betty Cuningham Gallery) and contributed to The Oxford Companion to Jazz (2000, Oxford University Press). He has written liner notes for CDs by Karrin Allyson, Gene Bertoncini, Ruby Braff and Ellis Larkins, Chanticleer, Julia Dollison, Jim Ferguson, Diana Krall, the Lascivious Biddies, Joe Mooney, Marian McPartland, Mike Metheny, Maria Schneider, Nickel Creek, Kendra Shank, Luciana Souza, and the Trio Solisti.
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