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Akiyoshi's interest in the piano started at age six, and by the time her family had moved back to Japan at the end of World War II. She had developed a real love for music, and soon began playing piano professionally, which eventually led to her being discovered by pianist Oscar Peterson in 1952 during a Norman Granz Jazz at the Philharmonic tour of Japan. On Petersonís recommendation, Toshiko recorded for Granz, and not long after, she went to the U.S. to study at the Berklee School of Music in Boston.
Her years in Boston, and later on in New York, developed her into a first class pianist. Her interest in composing and arranging came to fruition when she moved to Los Angeles in 1972 with her husband, saxophonist/flutist Lew Tabackin. The following year they formed the world-renowned big band that became known as the Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin. The band, which began as a vehicle for Toshiko's own compositions, grew in stature during its 10 years on the west coast and gained a reputation as one of the most excellent and innovative big bands in jazz. In 1976 the band placed first in the Down Beat Critics' Poll and her album, Long Yellow Road, was named best jazz album of the year by Stereo Review.
In 1982 the couple returned to New York, where Toshiko reformed her band with New York musicians, In 1983 the new Toshiko Akiyoshi Jazz Orchestra featuring Lew Tabackin had a critically successful debut at Carnegie Hall as part of the Kool Jazz Festival. That same year a documentary film by Renee Cho depicting the Akiyoshi/Tabackin move from L.A. to New York was released, entitled "Jazz is My Native Language" (Rhapsody Video).
Toshiko recorded 18 albums with the Jazz Orchestra, garnering 14 Grammy Award nominations since 1976. The band was also voted #1 in Down Beat magazine's Best Big Band category, and Toshiko has placed first in the Best Arranger and Composer category in the Down Beat Readers' Poll, making her the first woman in the history of jazz to have been so honored.
Toshiko realized a long time dream in 1996 when she completed her autobiography. "Life With Jazz." The book is now in its third printing in Japanese and will soon be translated into Korean.
The Orchestra followed the great Duke Ellington tradition of using each musician's individual sound and style as an integral part of the ensemble's musical identity. To this Akiyoshi adds her own complex, boppish lines and contemporary colors and textures, mingled with elements of her Asian roots to produce a sound that has no equal in jazz.
Summing up her own career, Toshiko, with characteristic modesty commented in an interview with the San Bernardino Sun, "I would hope that my work might have more substance and more quality rather than quantity of notes. And I hope the notes I produce today are more selective than 20 years ago."
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