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Past Events Review in All About Jazz Sept. 7, 2008 The Rubin Museum's “Harlem in the Himalayas” Friday night concert series, produced in association with The National Jazz Museum in Harlem, offers listeners the extremely rare opportunity to hear music in a totally acoustic setting. The absence of microphones, amplifiers and monitors in the state-of-the-art auditorium configured as an intimate nightclub was particularly rewarding during the performance of the Steve Wilson Quartet (Aug 1st). Wilson, a triple threat on alto and soprano saxophones and flute, possesses a beautiful full tone on each of his instruments and the lack of amplification enhanced, rather than diminished, their presence in the room. Accompanied by the consummately skilled rhythm section of pianist Bruce Barth, bassist Ed Howard and drummer Rodney Green, Wilson wove his sound through the music in a manner that was spellbinding in its nuance and attentiveness to dynamics. Playing predominantly alto on his first set the saxophonist showed himself to be equally excellent as both an original composer and inventive interpreter of the jazz repertory, alternating his own pieces “The Epicurean,” “Grace” and “Tortola” with Strayhorn's “Isfahan” and Gillespie's “Woody 'n You.” On the second set, which began with Chick Corea's “You're Everything,” Wilson paid homage to the museum's regional artistic focus, stretching out intensely on soprano for Coltrane's “India,” before hardbopping out with his own “Blues For Marcus.” Click here to read more on the All About Jazz website. A native of Hampton, Virginia, Wilson began his formal training at age 12. Playing saxophone, oboe, and drums in school bands, he also played in various R&B and funk bands throughout his teens, and went on to a year-long stint with singer Stephanie Mills. He then decided to major in music at Virginia Commonwealth University in Richmond, affording him opportunities to perform and/or study with Jimmy and Percy Heath, Jon Hendricks, Jaki Byard, John Hicks, Frank Foster and Ellis Marsalis. In 1986, he landed a chair with O.T.B (Out of the Blue), a sextet of promising young players recording on Blue Note Records. In 1987 he moved to New York and the following year toured the US and Europe with Lionel Hampton. Becoming a first-call choice for veteran and emerging artists alike, Wilson was the subject of a New York Times profile "A Sideman's Life", highlighting his work with Ralph Peterson, Jr., Michele Rosewoman, Renee Rosnes, Marvin "Smitty" Smith, Joanne Brackeen, The American Jazz Orchestra, The Mingus Big Band, The Smithsonian Jazz Masterworks Orchestra, Leon Parker, and Buster Williams' Quintet "Something More". In 1996 he joined the acclaimed Dave Holland Quintet, and from 1998-2001 he was a member of Chick Corea's Grammy winning sextet "Origin". Having been cited by his peers in a New York Times poll as one of the artists most likely to break out [on his own] as an established leader, Wilson recorded four CDs (New York Summit, Step Lively, Blues for Marcus and Four For Time) on the Criss Cross label. He then debuted on Stretch Records with Generations, his multi-generational quartet with Mulgrew Miller, Ray Drummond and Ben Riley. His second Stretch release Passages features his working quartet-Bruce Barth, Ed Howard and Adam Cruz, and special guest Nicholas Payton. Containing nine original compositions Passages established Wilson as a leader whose vision reveres the past, creates a soundscape of the present, and reaches toward the future. Wilson's most recent recording Soulful Song, was released by MAXJAZZ in June 2003. It features his quartet and special guests Rene Marie, Carla Cook, Phillip Manuel, James Genus, Billy Kilson, Paul Bollenback and Wilson "Chembo" Corniel. The recording, which is the debut of the MAXJAZZ horn series, issues forth a powerful and provocative performance from these dynamic and versatile artists. As Wilson explains, "It's a tribute Black radio, as it was called then, that was particularly inclusive in its programming and a galvanizing force in the community. On the same station one could hear R&B, jazz, blues, gospel, comedy, local news and affairs, and social commentary". In addition to new original material the program includes songs by Stevie Wonder, Chick Corea, Abbey Lincoln, Gil Scott Heron, Earth, Wind & Fire, Patrice Rushen, and The Staple Singers. Wilson was a featured guest with Dr. Billy Taylor in his series "Jazz at the Kennedy Center" which is broadcast on NPR. He was artistic consultant to Harvey Keitel for the film "Lulu On The Bridge" as well as being featured on the soundtrack. He has been Artist-In-Residence at The University of North Carolina at Chapel Hill, Hamilton College, Old Dominion University, and for the 2002/2003 season with the award winning arts organization CITYFOLK in Dayton, Ohio which included the performance of a commissioned work. He has been a featured performer, panelist, and clinician at conferences of the International Association of Jazz Educators, Association of Performing Arts Presenters, and Chamber Music of America. Wilson was honored with the Marc Crawford Jazz Educator Award from New York University in 2001, and the Virginia Jazz Award 2003 Musician of the Year presented by the Richmond Jazz Society, recognizing his outstanding service in the advancement of jazz and education in their respective communities. Since 1997 he has been regularly cited in the Downbeat Magazine Critics and Readers Polls in the soprano and alto saxophone categories. Wilson continues to tour with the Steve Wilson Quartet and Generations. He performs in duo with his long-time friend and colleague Lewis Nash, in Musical Dialogue with Lewis Nash and Steve Wilson. He is also a touring member of the Grammy winning Maria Schneider Jazz Orchestra, The Buster Williams Quartet, and Mulgrew Miller's Wingspan, and is on the faculty at The Manhattan School of Music, SUNY Purchase, and Columbia University.  |
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